
A month ago I went to my usual hideout for dinner and live Sitar performance. Somewhere along dinner Marie-Claude showed up at my table and introduced Matt to me. Matt is a writer, and has composed poems that he wants to write music for. Matt wants to have cello in the music.
Over the following week I burned a lot of cash on my cello. For the first time in 8 years I held the bow in my hand, struck the strings with my fingers, and leaned my cello against my chest.
I have lost my bow arm, I have lost my left hand positions, I have lost the ability to sing the tunes I have in my head through my instrument... but it felt good to play again nonetheless. Yes, the aching muscles on my back that I haven't used in 8 years, the hardened skin and relentless pressure my fingers held against the strings, the changes in the shapes of my fingertips - utterly slanted and unsightful, but unmistakenly cellist.
Two weeks later I played with Matt for the first time. Raymond, who performed sitar at my regular hangout, also showed up. After another rehearsal Matt booked a recording studio and scheduled our recording session.
Prior to this I have made 5 recordings with 4 orchestras/ensembles. I have also made speech recordings in state-of-the-art studios. However, yesterday was the first time I had to do a multi-track recording on a solo cello. It was also the first time I had to record solely on improvisation, to a piece of music that has nothing written down.
We did the first run with all three of us playing together in the studio. It was great - the adrenaline rush made us more spontaneous to one another than ever. However when we listened to the track in the control room it became clear that the cello part has to be recorded alone. The cello sound resonated with the equipment and introduced drones, my movement and swaying made it impossible for the Mic to capture even energy.
So I went back to the studio alone. I put on the headphones playing Matt and Raymond's and did my tracks... It was the most surreal experience.
I've always thought with all the time I've spent playing on the cello my body remembers how the bow feels in my hand as it arcos across different strings at different angles and speed, that the fingers on my left hand remember how the strings feel under the tips, and the subtle changes in vibrations on the strings as I press on different notes. I thought I remember how the cello resonates with my body and makes the sides of my knees and my chest go slightly numb.
But back in the studio as I put on the headphones they shut me out from my cello's voice. As hard as I tried the cello's sound was barely audible. I was deaf, and I was lost in voices and lines but my own. I desperately tried to hear what my cello sang but the only way I could do that either in the control room, or through the headphone after a run I made.
I came out feeling rather dejected. Not hearing myself when I played meant the only way I could control my tone and timbre was through my muscle memory, and after 8 years of silence every single ounce of it left my body.
How frustrating. I felt quite helpless in the studio. But at the same time it was fun picking up details of how my cello and I responded to each other, details that I missed when I could hear him. Even though I left the studio with my lines still out of tune... I felt that I have discovered a whole new dimension of my cello.